Contact is internationally renowned for producing and commissioning relevant, socially engaged and distinctive new work. Our shows are always entertaining, and often respond to the realities facing young people. Most tour nationally, regularly winning awards. Here are some recent examples:
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While We Were Waiting… something changed is an audio-visual 'pod walk' that transforms your phone into a portal, transporting you to an alternative reality.
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The Bread We Break attempts to piece together fragments from an untold history.
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Contact Young Company are back with our first live in-person performance since before the pandemic began.
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A video performance about a single man’s journey to parenthood, by Wayne Steven Jackson.
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Part research project, part performance, part business start-up, Sex with Cancer aims to hold a public conversation about illness and intimacy.
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Contact Young Company’s autumn 2020 show.
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A project preserving and sharing hopes and dreams of summer 2020.
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For seven weeks, seven freelance artists each suggest seven creative ideas to help you Take Notice.
We’re living through a strange and frightening time. We’re ‘alone, together’ in a lockdown. Committed to social distancing and self-isolation. We’re trying to help our communities, while government policy still leaves individuals behind. We still don’t know what to expect. How long will we be inside?
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Contact, SICK! Festival and Theater DEGASTEN
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Produced by Contact and Young Identity.
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Produced by Contact and Battersea Arts Centre.
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A Contact Young Company production. Directed by Hetain Patel.
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A Contact and Live Art UK Diverse Actions commission.
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A Contact production. Written by Jackie Hagan. Directed by Nickie Miles-Wildin.
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Commissioned by BBC and Arts Council England for Performance Live
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A Contact and BHA for Equality production. Written by Cheryl Martin. Directed by Alix Harris.
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A Contact Young Company production. Directed by Louise Mothersole and Rebecca Biscuit (Sh!t Theatre)
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By Demi Nandhra. A Contact Flying Solo commission 2017
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By Keisha Thompson. A Contact and STUN Commission.
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It’s fourteen years since Kate transitioned and a lot has changed. However, where gender is concerned, are we still stuck in the dark ages? Either way, it’s time to face the music and dance.